{"id":4277,"date":"2016-08-02T22:39:39","date_gmt":"2016-08-02T19:39:39","guid":{"rendered":"http:\/\/daimon.me\/blog\/?p=4277"},"modified":"2016-08-02T22:39:39","modified_gmt":"2016-08-02T19:39:39","slug":"un-cinematograf-in-paradis","status":"publish","type":"post","link":"https:\/\/daimon.me\/blog\/2016\/08\/un-cinematograf-in-paradis\/","title":{"rendered":"Un cinematograf \u00een paradis"},"content":{"rendered":"
\n

Am (re)v\u0103zut un film interesant.<\/p>\n

Nuovo Cinema Paradiso e o poveste \u015fuie \u015fi zv\u0103p\u0103iat\u0103, a unei lumi privite prin globul de sticl\u0103 al amintirii. Acel glob de sticl\u0103 unde ninge c\u00e2nd \u00eentoarcem bila, \u015fi altminteri nu…<\/p>\n

A, \u015fi tr\u0103iesc oameni \u00een el.<\/p>\n

\"Toto\"<\/p>\n

~*~<\/p>\n

Chestia interesant\u0103 este c\u0103 nu pot privi obiectiv filmul. Sunt rom\u00e2n, \u015fi prin urmare sunt angajat intelectual. Lumea pe care o v\u0103d nu este nou\u0103<\/em>.<\/p>\n

Ora\u015ful Giancaldo<\/span> este ora\u015ful natal, a\u015fa cum vi-l reaminti\u0163i. Sau dac\u0103 nu, este ora\u015ful p\u0103rin\u0163ilor vo\u015ftri, al bunicilor \u015fi verilor, al na\u015filor \u015fi al tuturor amintirilor din cutiu\u0163a muzical\u0103. Acolo, la Giancaldo, ar fi f\u0103cut\u00a0p\u0103rin\u0163ii no\u015ftri trafic cu casete video \u015fi cu discuri de pick-up. Ce vremuri, hmm? Parc\u0103 \u00eemi miroase \u00een n\u0103ri a Dacie 1300 din vremuri demult apuse, parc\u0103 v\u0103d o baleg\u0103 \u015fez\u00e2nd agale pe mijlocul drumului pr\u0103fuit, \u015fi parc\u0103 mi se coloreaz\u0103 gri-nostalgic toat\u0103 vederea.<\/p>\n

Giancaldo sau Gura Humorului ar fi totuna. E locul unde preotul face legea \u015fi sun\u0103 isteric din clopo\u0163el fiindc\u0103 pe pelicul\u0103 se arat\u0103\u00a0p\u0103c\u0103to\u015fenii – nimic mai mult dec\u00e2t un s\u0103rut \u00eentre doi \u00eendr\u0103gosti\u0163i… \u00een fine, Giancaldo e ora\u015ful unde loteria e foarte important\u0103.<\/p>\n

~*~<\/p>\n

Mircea spune c\u0103 filmul ar fi despre s\u0103r\u0103cie<\/a>, de fapt. E drept. Remarci lucrul \u0103sta, dup\u0103 care \u00eencepe s\u0103 ard\u0103 ca un fitil \u015fi s\u0103 rearanjeze observa\u0163iile despre film \u00een func\u0163ie de observa\u0163ia sociologic\u0103 a s\u0103r\u0103ciei. O simpl\u0103 observa\u0163ie reu\u015fe\u015fte s\u0103 p\u0103teze \u00eentreaga \u0163es\u0103tur\u0103, altminteri frumos lucrat\u0103.<\/p>\n

\u015ei totu\u015fi, \u00een ciuda celor dinsus, eu g\u0103sesc de cuviin\u0163\u0103 s\u0103 mai spun dou\u0103 vorbe. \u00cen fond, amuzamentul \u00een via\u0163\u0103 nu-i s\u0103 cataloghezi chestii, ci s\u0103 le experimentezi. A m\u0103 rezuma la observa\u0163ia f\u0103cut\u0103 dinsus ar \u00eensemna s\u0103 devin un soi de Conseil, care \u015ftia pe de rost ramuri \u015fi \u00eencreng\u0103turi din arborele biologiei, \u00eens\u0103 nu v\u0103zuse \u00een via\u0163a lui pe\u015ftii pe viu ((Asta e, Jules Verne am citit c\u00e2nd eram mai t\u00e2n\u0103r, din Jules Verne \u00eemi aleg exemplele.)).<\/p>\n

~*~<\/p>\n

A l\u0103sa lucrurile la observa\u0163ia c\u0103 “e despre s\u0103r\u0103cie” e ca \u015fi cum i-am fi tras dou\u0103 flegme \u015fi-l l\u0103s\u0103m \u00een praful drumului. Nu se face.<\/p>\n

Filmul e despre s\u0103r\u0103cie, desigur. Dar e o s\u0103r\u0103cie pe care o cunoa\u015ftem, \u015fi cunosc\u00e2nd-o ne putem servi de ea ca de o oglind\u0103.<\/p>\n

Ora\u015ful are un singur cinematograf, iar acolo se adun\u0103 oamenii s\u0103 se distreze. Popa este zbir \u015fi cenzor, c\u00e2\u015ftig\u0103torul la loto este un Mare Eveniment, \u015fi a\u015fa mai departe. Pe bune, eu a\u015f transpune \u00eentreaga poveste la Jimbolia, f\u0103r\u0103 mari dificult\u0103\u0163i. Lipsesc birtu’ satului \u015fi horele.<\/p>\n

Chestia e c\u0103 s\u0103r\u0103cia asta are un parfum anume. Vetust, vetust, desigur. Dar \u015fi pl\u0103cut, cu z\u00e2mbet de copil. Copilul care este atent, are o inteligen\u0163\u0103 vie, \u015fi care se irose\u015fte pe-acolo dintr-o \u00eent\u00e2mplare \u00eent\u00e2mpl\u0103toare a soartei, simplul fapt c\u0103 s-a n\u0103scut \u015fi el acolo unde a \u00een\u0163\u0103rcat mutu’\u00a0iapa. Ghinion, ce s\u0103 faci. Totu\u015fi copil\u0103ria lui este\u00a0inocent\u0103 \u015fi frumoas\u0103. Copilul nu \u015ftie ce-ar putea avea, \u00eentr-o alt\u0103 lume mai bun\u0103.<\/p>\n

Decorul trist format de adul\u0163ii din jur las\u0103 un gust amar, e inevitabil. Vie\u0163ile lor se decupeaz\u0103 \u015fi se pun \u00een clasor, timpul oamenilor se m\u0103soar\u0103 cu s\u0103pt\u0103m\u00e2nile, \u015fi anume pot spune c-au ad\u0103ugat pu\u0163in la via\u0163\u0103\u00a0doar c\u00e2nd v\u0103d un film nou.<\/p>\n

\u00cens\u0103 chiar \u015fi a\u015fa, avem un personaj care \u00ee\u015fi \u00een\u0163elege limitele.<\/p>\n

~*~<\/p>\n

\u00cen mod ciudat, proiec\u0163ionistul \u00ee\u015fi cunoa\u015fte locul \u00een lume. E prost, e ne\u015fcolit, da’ cu toate acestea \u00eei zice pu\u015ftiului s\u0103 fug\u0103 unde vede cu ochii. S\u0103 fug\u0103 fix de mediocritatea or\u0103\u015felului \u00een care \u00eent\u00e2mplarea l-a n\u0103scut. Cu alte cuvinte, s\u0103 fug\u0103 Toto ca s\u0103 nu devin\u0103 \u00eenc\u0103 un Alfredo. E trist? A\u015f, deloc. E cursul vie\u0163ii.<\/p>\n

\"Alfredo\"<\/p>\n

Mama lui Toto e mama oricui. Pe undeva, filmul clipe\u015fte a \u00een\u0163elegere \u015fi c\u0103tre mamele singure, care au reu\u015fit s\u0103 creasc\u0103 un copil f\u0103r\u0103 ajutor – fie pentru c\u0103 tat\u0103l e mort \u00een r\u0103zboi, fie pentru c\u0103 e vreun deadbeat dad<\/em>. Conteaz\u0103?<\/p>\n

Toto \u00ee\u015fi d\u0103 cuminte examenele vie\u0163ii, \u015fi \u00eei ia locul lui Alfredo c\u00e2nd acesta nu mai poate. Tot provincial\u0103 treaba, cu licen\u0163a luat\u0103 pe \u015fpag\u0103 de c\u0103tre unu’, \u00eens\u0103 l\u0103sat altu’ s\u0103 profeseze.<\/p>\n

~*~<\/p>\n

Pe bune, trebuie v\u0103zut \u015fi rev\u0103zut filmul \u0103sta. E de-un provincialism crunt, \u015fi cu asta am zis tot.<\/p>\n

Cu speran\u0163a c\u0103 poate se \u015fi \u00eenva\u0163\u0103 ceva din el…<\/p>\n

\"Castigatorul<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Am (re)v\u0103zut un film interesant. Nuovo Cinema Paradiso e o poveste \u015fuie \u015fi zv\u0103p\u0103iat\u0103, a unei lumi privite prin globul de sticl\u0103 al amintirii. Acel glob de sticl\u0103 unde ninge c\u00e2nd \u00eentoarcem bila, \u015fi altminteri nu… A, \u015fi tr\u0103iesc oameni \u00een el. ~*~ Chestia interesant\u0103 este c\u0103 nu pot privi obiectiv filmul. Sunt rom\u00e2n, \u015fi …<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[39],"tags":[],"class_list":{"0":"post-4277","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-neintelegeri","7":"anons"},"_links":{"self":[{"href":"https:\/\/daimon.me\/blog\/wp-json\/wp\/v2\/posts\/4277","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/daimon.me\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/daimon.me\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/daimon.me\/blog\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/daimon.me\/blog\/wp-json\/wp\/v2\/comments?post=4277"}],"version-history":[{"count":11,"href":"https:\/\/daimon.me\/blog\/wp-json\/wp\/v2\/posts\/4277\/revisions"}],"predecessor-version":[{"id":4370,"href":"https:\/\/daimon.me\/blog\/wp-json\/wp\/v2\/posts\/4277\/revisions\/4370"}],"wp:attachment":[{"href":"https:\/\/daimon.me\/blog\/wp-json\/wp\/v2\/media?parent=4277"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/daimon.me\/blog\/wp-json\/wp\/v2\/categories?post=4277"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/daimon.me\/blog\/wp-json\/wp\/v2\/tags?post=4277"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}