{"id":746,"date":"2009-12-19T06:17:23","date_gmt":"2009-12-19T04:17:23","guid":{"rendered":"http:\/\/daimon.me\/blog\/?p=746"},"modified":"2009-12-27T20:27:41","modified_gmt":"2009-12-27T18:27:41","slug":"short-films","status":"publish","type":"post","link":"https:\/\/daimon.me\/blog\/2009\/12\/short-films\/","title":{"rendered":"Short films."},"content":{"rendered":"
\n

Vorbim despre torrentul \u0103sta<\/a>. Filme dintr-o larg\u0103 perioad\u0103, anume 1959-2003, probabil de neg\u0103sit \u00een comer\u0163. De altfel, c\u00e2nd vorbim despre torrents nu \u0103sta este criteriul. Am mai spus-o, avantajul internetului este c\u0103 pot s\u0103 try before buy.<\/p>\n

Anyway …<\/p>\n

(1959) Charlotte Et V\u00e9ronique, Ou Tous Les Gar\u00e7ons S’appellent Patrick — Jean-Luc Godard [Fr]<\/strong><\/p>\n

Runtime: 19:32
\nPlot: Dou\u0103 colege de camer\u0103 sunt acostate de acela\u015fi tip. Casanova de tehnic\u0103 veche. Film spumos \u015fi u\u015for, nici nu \u015ftii c\u00e2nd s-a terminat. De observat naturale\u0163ea cu care omul face curte, de ne\u00eenchipuit \u00een anul de gra\u0163ie 2009. \u00cenfipt, nici fetele nu-s chiar duse pe la biseric\u0103, all in all ai zice c\u0103 termenul “fi\u0163e” nu exista pe atunci.<\/p>\n

\"\"<\/a><\/p>\n

(1967) Koncert Zyczen — Krzysztof Kieslowski [Po]<\/strong><\/p>\n

Runtime: 15:23
\nPlot: Dou\u0103 grupuri merg la iarb\u0103 verde. Ni\u015fte tineri care-s pu\u015fi pe be\u0163ie, \u015fi un cuplu retras. Boring as hell, juma’ de film vezi \u015foseaua. Faptul c\u0103 e upsampled devine bonus. Pe drumul \u00eenapoi fata \u00ee\u015fi pierde cortul din mers, grupul de be\u0163ivi \u00eel recupereaz\u0103, o invit\u0103 s\u0103 “mearg\u0103 cu ei”, prietenul ei refuz\u0103. Eu unul n-am g\u0103sit vreo idee dus\u0103 p\u00e2n\u0103 la cap\u0103t.<\/p>\n

\"\"<\/a><\/p>\n

(1971) Zvahlav Aneb Saticky Slamen\u00e9ho Huberta — Jan Svankmajer [Cz]<\/strong><\/p>\n

Runtime: 13:10
\nPlot: Filmul se deschide cu un dulap \u00een care st\u0103 ag\u0103\u0163at un costum de b\u0103ie\u0163el, \u015fi se termin\u0103 cu acela\u015fi dulap \u00een care-i ag\u0103\u0163at un costum de adult. Circular, \u015fi mi-a amintit de dulapul care duce \u00eenspre Narnia. A\u015f zice c\u0103-i un fel de descriere fugar\u0103 a vie\u0163ii, mai ales c\u0103 e \u00eemp\u0103r\u0163it frumos \u00een episoade, via\u0163a casnic\u0103, r\u0103zboi, vise de c\u0103l\u0103torie, e chiar foarte subtil la ilustrarea unor mere p\u00e2rguite \u015fi m\u00e2ncate de viermi. Probabil mai are ceva motive \u015fi metafore pe-acolo, las la latitudinea fiec\u0103ruia s\u0103 le descopere. Did I mention I love stopmotion?<\/p>\n

\"\"<\/a><\/p>\n

(1980) Nocturne — Lars Von Trier [Dk].avi<\/strong><\/p>\n

Runtime: 08:25
\nPlot: Nimic. Ori io’s t\u00e2mpit, ori \u0103sta e film de atelier. Sigur, ar putea fi mult, poate fi extins, poate primi un sens dac\u0103 mai adaugi ceva, \u00eens\u0103 eu unul sunt sigur c\u0103 6 minute de plimbat camera printr-o \u00eenc\u0103pere \u00eentunecat\u0103 nu este art\u0103. Nici o discu\u0163ie despre cum acri\u0163a principal\u0103 nu suport\u0103 lumina. Singura chestie care mi-a pl\u0103cut pe bune a fost bucata de replic\u0103 “… mi-e fric\u0103 de toate lucrurile pe care lumina le ascunde”. It’s so true. Abia \u00een clarobscur lucrurile se v\u0103d bine.<\/p>\n

\"\"<\/a><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Vorbim despre torrentul \u0103sta. Filme dintr-o larg\u0103 perioad\u0103, anume 1959-2003, probabil de neg\u0103sit \u00een comer\u0163. De altfel, c\u00e2nd vorbim despre torrents nu \u0103sta este criteriul. Am mai spus-o, avantajul internetului este c\u0103 pot s\u0103 try before buy. Anyway … (1959) Charlotte Et V\u00e9ronique, Ou Tous Les Gar\u00e7ons S’appellent Patrick — Jean-Luc Godard [Fr] Runtime: 19:32 …<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-746","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-fara","7":"anons"},"_links":{"self":[{"href":"https:\/\/daimon.me\/blog\/wp-json\/wp\/v2\/posts\/746","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/daimon.me\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/daimon.me\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/daimon.me\/blog\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/daimon.me\/blog\/wp-json\/wp\/v2\/comments?post=746"}],"version-history":[{"count":1,"href":"https:\/\/daimon.me\/blog\/wp-json\/wp\/v2\/posts\/746\/revisions"}],"predecessor-version":[{"id":777,"href":"https:\/\/daimon.me\/blog\/wp-json\/wp\/v2\/posts\/746\/revisions\/777"}],"wp:attachment":[{"href":"https:\/\/daimon.me\/blog\/wp-json\/wp\/v2\/media?parent=746"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/daimon.me\/blog\/wp-json\/wp\/v2\/categories?post=746"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/daimon.me\/blog\/wp-json\/wp\/v2\/tags?post=746"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}