{"id":752,"date":"2009-12-27T20:25:30","date_gmt":"2009-12-27T18:25:30","guid":{"rendered":"http:\/\/daimon.me\/blog\/?p=752"},"modified":"2009-12-27T20:28:09","modified_gmt":"2009-12-27T18:28:09","slug":"short-films-2","status":"publish","type":"post","link":"https:\/\/daimon.me\/blog\/2009\/12\/short-films-2\/","title":{"rendered":"Short films (2)"},"content":{"rendered":"
\n

continued from here<\/a>.<\/p>\n

(1989) Gisele Kerozene — Jan Kounen [Fr]<\/strong><\/p>\n

Runtime: 4:22
\nPlot: Ora\u015f p\u0103r\u0103sit, trei vr\u0103jitori se \u00eenchin\u0103 unei c\u00e2rpe ce \u0163ine loc de feti\u015f. No wonder, al patrulea vine \u015fi le ia juc\u0103ria, se fug\u0103resc prin ora\u015f, the evil man almost wins. La final le red\u0103 c\u00e2rpa de bun\u0103 voie. Eu unul n-am \u00een\u0163eles prea bine care-i faza, a\u015f putea s\u0103 jur c\u0103-i o metafor\u0103 gen “good guys are better off ignoring bad guys”, anyway urm\u0103rirea prin ora\u015f pe ni\u015fte m\u0103turi motorizate ie o parodie genial\u0103 pentru Hairy Plotter. Backward cultural reference, laughter ensues.<\/p>\n

\"\"<\/a><\/p>\n

(1991) H\u00e4rlig \u00c4r Jorden — Roy Andersson [Swe]<\/strong><\/p>\n

Runtime: 15:42
\nPlot: Un singur gest ajunge pentru o via\u0163\u0103. Personajul este de o banalitate crunt\u0103, via\u0163a lui este de un gri nud \u015fi lipsit\u0103 de asperit\u0103\u0163i sau inedit. \u00cens\u0103 faptul c\u0103 a asistat nep\u0103s\u0103tor la o crim\u0103 \u00eel macin\u0103 din interior, \u00eel distruge \u00eencetul cu \u00eencetul, iar lumea lui interioar\u0103 se pr\u0103bu\u015fe\u015fte. Atmosfera te trage \u00eenauntru, iar ritmul este static pentru c\u0103 a\u015fa sunt lucrurile. Finalul putea fi amplificat, desigur, \u00eens\u0103 aici e de vin\u0103 consumatorul Hollywoodian din mine. Poate e mai ok c\u0103 regizorul las\u0103 ni\u015fte spa\u0163iu dup\u0103 ultimele cadre, pentru imagina\u0163ia fiec\u0103ruia.<\/p>\n

\"\"<\/a><\/p>\n

(1992) Epilog — Tom Tykwer [De]<\/strong><\/p>\n

Runtime: 12:26
\nPlot: Nu prea exist\u0103 a\u015fa ceva. Filmul e circular, \u00eencepe cu o ceart\u0103 de \u00eendr\u0103gosti\u0163i, el o \u00eempu\u015fc\u0103 pe ea, la final povestea e fix invers \u015fi ea-l ciuruie pe el. Corect oarecum, av\u00e2nd \u00een vedere c\u0103 \u00eentreaga “ac\u0163iune” a filmului este\u00a0 o discu\u0163ie la telefon \u00een care ea explic\u0103 amantului cum nu-\u015fi mai suport\u0103 concubinul. The defendant did not have his proper saying, n-ai cum s\u0103 \u015ftii de unde a \u00eenceput r\u0103cirea rela\u0163iei Irelevant, oricum. Toat\u0103 atmosfera e dus\u0103 \u00een derizoriu de obiectele care se mi\u015fc\u0103 prin camer\u0103, a\u015fa c\u0103 finalul r\u0103m\u00e2ne cu un gust pronun\u0163at de meh<\/em>.<\/p>\n

\"\"<\/a><\/p>\n

(1992) Le Batteur Du Bol\u00e9ro – Patrice Leconte [Fr]<\/strong><\/p>\n

Runtime: 08:01
\nPlot: “Partitura” tobo\u015farului atrage aten\u0163ia. \u00centreaga pies\u0103 Bolero e o simpl\u0103 plictiseal\u0103 repetitiv\u0103, \u00eens\u0103 munca omului din spatele tobei este cea mai grea. Pentru c\u0103 el d\u0103 ritmul tuturor. A\u015fa c\u0103 privim timp de 8 minute la chipul acestui erou necunoscut .. \u015fi prin c\u00e2te st\u0103ri nu trece, s\u0103racul! Chipul lui e un comentariu \u00een sine.<\/p>\n

\"\"<\/a><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

continued from here. (1989) Gisele Kerozene — Jan Kounen [Fr] Runtime: 4:22 Plot: Ora\u015f p\u0103r\u0103sit, trei vr\u0103jitori se \u00eenchin\u0103 unei c\u00e2rpe ce \u0163ine loc de feti\u015f. No wonder, al patrulea vine \u015fi le ia juc\u0103ria, se fug\u0103resc prin ora\u015f, the evil man almost wins. La final le red\u0103 c\u00e2rpa de bun\u0103 voie. Eu unul n-am …<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-752","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-fara","7":"anons"},"_links":{"self":[{"href":"https:\/\/daimon.me\/blog\/wp-json\/wp\/v2\/posts\/752","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/daimon.me\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/daimon.me\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/daimon.me\/blog\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/daimon.me\/blog\/wp-json\/wp\/v2\/comments?post=752"}],"version-history":[{"count":1,"href":"https:\/\/daimon.me\/blog\/wp-json\/wp\/v2\/posts\/752\/revisions"}],"predecessor-version":[{"id":778,"href":"https:\/\/daimon.me\/blog\/wp-json\/wp\/v2\/posts\/752\/revisions\/778"}],"wp:attachment":[{"href":"https:\/\/daimon.me\/blog\/wp-json\/wp\/v2\/media?parent=752"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/daimon.me\/blog\/wp-json\/wp\/v2\/categories?post=752"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/daimon.me\/blog\/wp-json\/wp\/v2\/tags?post=752"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}